Writers write. Sounds pretty simple, doesn’t it? My first short story was written when I was four-years-old. I used to think first drafts were all you had to write, that was it! Boy did I have a lot to learn. It’s probably why my early attempts didn’t go anywhere. Octavia Butler says: “You don’t start out writing good stuff. You start out writing crap and thinking it’s good stuff. And then gradually, you get better at it. That’s why I say the most valuable trait is persistence.”
I totally agree!!!
Now that I’ve been writing for twelve years and teaching for the past six of those years, boy do I know that’s true. The more you write, the better you get. And after that first draft? You rewrite it. Usually five to ten drafts. Neil Simon in Neil Simon Rewrites really opened my eyes to rewriting. So did Jerry Cleaver in Immediate Fiction. It was his course that helped me revise my first novel, and it’s his course that I now own and teach in Chicago, with an online component soon to come. (Thewritersloft.com).
Here’s another tip: The less you worry, the better you write. Here is just a snippet of things I wrote before (and one after) becoming published:
Things I wrote before writing my first novel:
The Boy and the Mouse — Age 4 — Short story
First lines: “Oh boy,” said the boy. “A mouse.”
“Oh boy,” said the mouse. “A boy.”
The Boy and the Muskrat — Third grade, won a state-wide writing contest
A family newsletter I typed on a typewriter and mailed to family members hoping they’d pay a quarter. I think it only lasted 3 rounds.
The Christmas Train– Short unpublished story
The Halloween Party — short unpublished story
Revolving Doors — Unfinished play
Snow White Wolf — A play.
Setting: Coal mines of West Virginia.
Lots of letters
Essays galore– I have a few about living and being a temp in New York City. This was before blogs were a thing. Had I been in my twenties when blogs were a thing I would have been blogging my little heart out.
Tons of diaries and journals
Funny newsletters at temp jobs
Kissing Frogs — A One Act Comedy
This had a staged reading at Geva Theatre in Rochester New York
A screenplay. I didn’t have the training, it went nowhere, but it also prompted me, after my sister wouldn’t show it to her agent, to try a novel.
My first novel — She’ll Take It— a new years goal –2003
2004– Goal failed. Took a correspondence course: THE COMPLETE STORY by Jerry Cleaver.
2005– Rewrote the failure about nine times, submitted to agents. Got an agent!
2006– Sold it to John Scognamiglio at Kensington Books. Published in May of 2006.
Funny fact– after my first two published novels I wrote one that was in a different genre called The Manhattan Witch Hunt. My editor wasn’t interested so it was abandoned and I moved on. He encouraged me to self-publish it but years later when I re-read it I didn’t like it and didn’t have any interest in rewriting it. I might somebody because I like the title, but the plot would have to be rewritten.
2018 — Still with Kensington Books!
(Ten novels and 6 novellas under Mary Carter, so far 4 books in The Irish Village Mystery series, with Murder in Galway and Christmas Cocoa Murder anthology still to come in 2019!)
What is the point? If you are a writer you know it because… well… you WRITE. I have TONS of unfinished pieces as well. Tons. If you do too, maybe you need to accept that you’re a writer and work on a piece until it’s the best you can get it, and then start submitting.
Available only at Barnes & Noble until April 30, 2020!
First in a new series!
New Yorker Tara Meehan’s first trip to Galway may be her last…
Tara never imagined her introduction to Ireland like this—carrying her mam’s ashes to honor her final request: “Tell Johnny I’m sorry . . . Take me home.” She’s never met her mam’s estranged brother, Johnny Meehan, who owns an architectural salvage business in Galway. Although Tara is immediately charmed by the medieval city, the locals seem wary of strangers and a gypsy warns her that death is all around.
When Tara arrives at her uncle’s stone cottage, the prophesy seems true. A dead man lies sprawled over the threshold in a pool of blood. The victim turns out to be Johnny’s wealthiest client, and her missing uncle is the garda’s number-one suspect. In trying to find Johnny and solve the crime, Tara uncovers her mam and uncle’s troubled past. But with a desperate killer about, she had better mind herself, or they’ll be tossing her ashes in Galway Bay . . .